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Music : Mahler: Complete Symphonies

from: EMI

 : Mahler: Complete Symphonies
Binding: Audio CD
EAN: 0724357294126
Format: Import, Box set
Label: EMI
Manufacturer: EMI
Number Of Discs: 11
Publisher: EMI
Release Date: September 28, 1998
Running Time: 738 minutes
Sales Rank: 11060
Studio: EMI


Average Rating:  out of 5 stars
List Price: £31.99
Amazon.co.uk's Price: £20.97
You Save: £11.02 (34%)
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Availability: Usually dispatched within 6 to 8 days

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Disc 1:
  1. Symphony No. 1 In D Major: 1. Langsam. Schleppend - Im Anfang Sehr Gemachlich
  2. Symphony No. 1 In D Major: II: Kraftig bewegt, doch nicht zu schnell
  3. Symphony No. 1 In D Major: III: Feierlich und gemessen, ohne zu schleppen
  4. Symphony No. 1 In D Major: IV: Sturmisch bewegt
  5. Symphony No. 2 In C Minor 'Resurection': I: Adagio maestoso
Disc 10:
  1. Symphony No. 9 In D Minor: I: Andante comodo
  2. Symphony No. 9 In D Minor: II: Im Tempo eines gemachlichen Landlers. Etwas tappisch und sehr derb
  3. Symphony No. 9 In D Minor: III: Rondo-Burleske: Allegro assai. Sehr trotiz
Disc 11:
  1. Symphony No. 9 In D Minor: IV: Adagio: Sehr langsam und noch zuruckhaltend
  2. Symphony No. 10 In F Sharp Minor: I: Adagio
Disc 2:
  1. Symphony No. 2 In C Minor 'Resurrection': II: Andante moderato
  2. Symphony No. 2 In C Minor 'Resurrection': III: In ruhig fliessender Bewegung
  3. Symphony No. 2 In C Minor 'Resurrection': IV: Urlicht (Sehr feierlich aber schlicht)
  4. Symphony No. 2 In C Minor 'Resurrection': V: Im Tempo des Scherzos (Wild herausfahrend) - Langsam - Allegro energico - Langsam
Disc 3:
  1. Symphony No. 3 In D Minor: Erste Aabteilung: I: Kraftig. Entschieden
  2. Symphony No. 3 In D Minor: Zweite Abteilung: II: Tempo di Menuetto. Sehr massig
  3. Symphony No. 3 In D Minor: Zweite Abteilung: III: Comodo. Scherzando. Ohne Hast
  4. Symphony No. 3 In D Minor: Zweite Abteilung: IV: Sehr Langsam. Misterioso. Durchaus ppp
  5. Symphony No. 3 In D Minor: Zweite Abteilung: V: Lustig im Tempo und keck im Ausdruck
Disc 4:
  1. Symphony No. 3 In D Minor: Qweite Abteilung: VI: Langsam. Ruhevoll. Empfunden.
  2. Symphony No. 4 In G Major: I: Bedachtig. Nicht eilen
  3. Symphony No. 4 In G Major: II: In gemachlicher Bewegung. Ohne Hast
  4. Symphony No. 4 In G Major: III: Ruhevoll
  5. Symphony No. 4 In G Major: IV: Sehr behaglich
Disc 5:
  1. Symphony No. 5 In C Sharp Minor: I: Trauermarsch
  2. Symphony No. 5 In C Sharp Minor: II: Sturmisch bewegt, mit grosster Vehemenz
  3. Symphony No. 5 In C Sharp Minor: III: Scherzo: Schattenhaft
  4. Symphony No. 5 In C Sharp Minor: IV: Adagietto: Sehr langsam
  5. Symphony No. 5 In C Sharp Minor: V: Rondo-Finale: Allegro
Disc 6:
  1. Symphony No. 7 In E Minor: I: Langsam - Allegro
  2. Symphony No. 7 In E Minor: II: Nachtmusik I: Allegro moderato
  3. Symphony No. 7 In E Minor: III: Scherzo: Schattenhaft
  4. Symphony No. 7 In E Minor: IV: Nachtmusik II: Andante amoroso
Disc 7:
  1. Symphony No. 7 In E Minor: V: Rondo - Finale: Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico)
  2. Symphony No. 6 In A Minor: I: Allegro energico, ma non troppo. Heftig aber markig
  3. Symphony No. 6 In A Minor: II: Scherzo Wuchtig
  4. Symphony No. 6 In A Minor: III: Andante moderato
Disc 8:
  1. Symphony No. 6 In A Minor: IV: Finale: Allegro moderato
  2. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Veni, creator spiritus
  3. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Allegro impetuoso: Imple superna gratia
  4. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Allegro impetuoso: Infirma nostri corporis
  5. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Allegro impetuoso: Accende lumen sensibus
  6. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Allegro impetuoso: Veni, creator spiritus
  7. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': I. Teil. Hymnus: Allegro impetuoso: Gloria, Patri Domino
Disc 9:
  1. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Poco adagio: Waldung sie schwankt heran
  2. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Poco adagio: Ewiger Wonnerbrand
  3. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Poco adagio: Wie Felsenabgrund mir zu Fussen
  4. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Gerettet ist das edle Glied
  5. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Uns bleibt ein Erdenrest
  6. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Hier ist die Aussicht frei
  7. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Hochste Herrscherin der Welt
  8. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Ausserst langsam. Adagissimo: Dir, der Unberuhrbaren
  9. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Bei der Liebe, die den Fussen
  10. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Neige, neige, du Ohnegleiche
  11. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Blicket auf zum Retterblick
  12. Symphony No. 8 In E Flat Major 'Symphony Of A Thousand': II. Teil. Schlussszene 'Faust': Allegro deciso: Alles Vergangliche
Related Items:



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Remarkable value Mahler set by a great Mahler conductor
The late Klaus Tennstedt was a very great Mahler conductor and this set, in part, reflects that very well. Symphonies 3, 6 and 8 (and especially number 8) are right up with the very finest performances ever recorded. Symphonies 1, 2 and 4 are of a very high quality. Symphony 7 sounds fine until you hear the live BBC Legends recording (Mahler - Symphony No 7; Mozart - Symphony No 41 and you realise just how ALIVE a live Tennstedt performance can be (I know it costs almost as much as the complete ... Read More



Rating: 5 out of 5 stars - Ridiculously good value Mahler set!
If, like me you are relatively new to the colossal Symphonic edifices of Gustav Mahler, and don't want to spend a fortune to start with to start your journey, then this is a splendid set to begin with dating from the 70's and 80's.

I have heard other performances of some of the symphonies before and these match up wholeheartedly.

The London Philharmonic are in cracking form throughout. Meticulously drilled by German conductor Klaus Tenstedt who lives and breathes every note ... Read More



Rating: 5 out of 5 stars - The best complete Mahler symphonies set?
I've owned several sets of the complete Mahler symphonies and as far as it's possible to get all the works in good performances on just one cycle this is the possibly the closest you'll get. The only relative disappointments are numbers 2 and 9, with the highlights being 1,3,6,7 and 8 with a bonus in a heartfelt performance of the Adagio from No 10. This set would almost satisfy my needs if I could afford only this one complete survey. Symphonies 2 and 9 could be covered by Bernstein in separate issues ... Read More



Rating: 5 out of 5 stars - Sound per pound!
I can't add any more to what has been said regarding the content of this box set except to say: the sound quality is incredible. Out of all my classical CDs I rate these the highest in terms of hi-fi. Just listen to the first minute of the 5th symphony to understand what I mean - Clean, crisp and full dynamics across the frequency range. Recommended.



Rating: 4 out of 5 stars - Clear, Powerful, Satisfying performances of a Master's works
From the start of the First Symphony Tennstedt makes his intentions known. He is not interested in questions of how individual symphonies reflected the state of Mahler's mind at the time they were written. He is not interested in making this symphony triumphant or that one tragic. He is going to let the music speak for itself, in its own time.

This is a sound attitude to take with a composer whose musical voice plumbs the depths and rises to the heavens without any extra help.

What ... Read More

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